Our Bureau
Mumbai
In an unprecedented feat in Indian cinema, Bollywood star Ajay Devgn has become the highest paid actor per minute in the country, thanks to his brief yet impactful cameo in S.S. Rajamouli’s blockbuster film ‘RRR’. Devgn reportedly took home a staggering Rs 35 crore for his short appearance, surpassing the per-minute earnings of Bollywood giants like Shah Rukh Khan, Salman Khan, and South superstar Vijay.
Despite appearing on screen for just about eight minutes, Ajay Devgn’s remuneration for ‘RRR’ has set a new benchmark in the industry. According to reports, this translates to over Rs 4 crore per minute, a figure that has left both fans and industry insiders astounded. The actor’s role, though limited in duration, was pivotal to the film’s narrative, and his performance was widely praised by critics and audiences alike.
‘RRR’, directed by the acclaimed S.S. Rajamouli, is one of the most expensive and successful Indian films ever made. The film’s ensemble cast includes Jr NTR, Ram Charan, and Alia Bhatt, with Ajay Devgn’s cameo adding considerable star power. Industry analysts believe that Devgn’s remuneration reflects not just his star value but also the growing trend of high-profile cameos in big-budget films.
Ajay Devgn’s record-breaking fee has sparked conversations about the economics of stardom in Indian cinema. Traditionally, actors like Shah Rukh Khan and Salman Khan have commanded the highest paychecks for lead roles. However, Devgn’s per-minute earnings for ‘RRR’ have eclipsed even their most lucrative deals, highlighting the changing dynamics of celebrity compensation.
Fans have taken to social media to congratulate Devgn, celebrating his achievement and discussing the significance of his role in ‘RRR’. The actor, known for his versatility and longevity in the industry, continues to be a force to reckon with in Bollywood.
With this milestone, Ajay Devgn has not only set a new record but also redefined the value of star appearances in Indian cinema, paving the way for future collaborations and cameo-driven performances.
